1

Your cart is empty.

Exquisite containers...with a twist!

09 Jul '15

July 4th in Redwood City

Posted by Lanchi Vo

I was at the July 4th Celebration in Redwood City. It was a one-day art and craft show, in conjunction with the parade and some other celebratory events. This year, my booth was at the end of the line.
The artist next to me did not showed up, so I have a corner space for the price of in-line, and an un-impeded view of the parade right there at the cross street only a few feet away. How lucky!

So, I was sitting at my booth, looking at the jittering crowd, waiting for things to happen. As we all stand for the pledge of allegiance and the national anthem- sung acapella over the loud speaker- a strange feeling washed over me. Sure, I always get teary listening to anthem, always moved by acapella singing, but there was also a realization that this America is what my children will call home.

This America is my Home.

As a transplanted Vietnamese, I don't feel at home any where, not here, not there. I have been happily floating around, like duckweed, with roots, but no attachment. This duckweed was momentarily snagged on a river bank here at Redwood City, watching a stream of people floating by, celebrating the birth of a nation. The parade went on, an endless succession of organizations, services, volunteers, charities, interest groups... forces that defense, protect, maintain and operate this society.

I watched as people from many different background-some wearing their national attire-marching by with the American flags held high. Where else on earth can a hodgepodge of people get together and
create such a powerful nation? Sure, this country has it's own problems, internal, external, some chronic, some acute...but it is still a land of hope and dream... and freedom within boundaries.

This is the land that I exhale and relax after coming back from overseas travels.
This is the land that I feel grateful to be part of, knowing the alternatives.

Heh, is that what a home supposed to feel like? I suddenly felt glad and proud to be right there, right then.  I was no longer watching.  I was celebrating.

Happy birthday, America!

26 Jan '15

For the Love of Wood

Posted by Lanchi Vo

When I look at my product lines, wooden heart does not seem to fit in the grand scheme of my shop: solid, flat things in the hollow, rounded world.  But it is there for a reason: it was the first thing I made out of wood, as toys for my daughter to play with. I cut them out of colorful woods, took great care to round off all sharp edges, hand sand them down until they feel silky smooth.

My daughter loved to play with them, for awhile, then moved on to different toys. In the while, I did the same. I moved from a wood collector to a wood turner, from hobbyist to a shop owner. 

I remember on a particular Valentine Day (back when I still made a fuss out of it) I went out of my way searching for a rustic, natural looking wooden heart as a Valentine gift. I couldn't find it anywhere so I had to settle for a metal one (that was pre-Internet, pre-Amazon, pre-Google, pre-Ebay, pre-Etsy time). That incident prompted me to make keychains out of a few hearts and offered them along with my other turnings.

I was surprised to see that there is a demand for them. So, once in awhile, I make a batch. Those hearts are labor intensive, with a lot of hand sanding, filing down what's left of my finger nails in the process. It's not exactly my favorite activity, but there is great satisfaction to transform something that look like this:

to this:


Then, for the love of my daughter, I made hearts. Now, for the love of woods, I keep making hearts.

24 Dec '14

Transformation of a Poinsettia

Posted by Lanchi Vo

I used to think of poinsettias (Euphorbia pulcherrima) as small potted plants for Holidays decoration, with no consequent to a woodturner, whatsoever. Until one day, I received a solid block of it's wood, a perfect 4" cube, obviously cut out from even a larger block.

 

This piece came from Australia, via a wood exchange operation with a fellow wood collector (thanks, Vern!).  Looking at this large junk of wood, I know I have to revise my mental image of this "little house plant."  I jumped on the Internet, search for images.  Sure enough, the species can grow to very impressive size.  Interesting how technology and mass commercialization can warp ours perspective about the nature of things. But this wasn't the first time I see a poinsettia in a different light.  The first transformation happened a few years back in the lobby of a local hospital.

    Copyright © 2012 Plantscapers,Inc

 

It was Christmas time, the lobby was decorated with a large Christmas tree full of big red velvet bows and glittering gold strings. Cheerful red poinsettias in gold foil covered pots formed a ring around the base. I sat there in a comfy sofa, looking distractedly at people coming and going.

A red moving dot suddenly caught my eyes. It was a tiny poinsettia, in a small plastic pot, fit entirely in the palm of an old man. What struck me was the way the man held on to it, lovingly and protectively, as if it was the only poinsettia in the world. He bended over, holding it close to his chest, shielding it from the converging crowd, while shuffling into the crowded elevator.

The scuffy poinsettia looked so pitiful, compared to these gorgeous ones under the Christmas tree. But I immediately realize that is is indeed, the only poinsettia that matters at this moment. It will bring warm to a person's heart, not just sitting around, looking pretty. I bowed my head, and offered a silent prayer to whomever that man was visiting.

Poinsettia with Bocote cap

07 Nov '14

The Fish Egg Tree

Posted by Lanchi Vo

The "Fish Egg" tree (ca^y tru+'ng ca') was one of a few trees I have known and loved growing up. There was a very old one in the front yard of my elementary school. I remember walking to school extra early, just to collect the little red fruits falling all around the tree. Within the thin skin, there is a gel-like pulp filled with small, free floating yellow seeds, like fish eggs, hence the common name. I still remember the sweet taste, the distinctive aroma and the interesting texture of the sticky seeds rolling off my tongue.


And, of course, I remember looking up into that beautiful umbrella canopy of the tree, loaded with dangling red balls and dearly wish I could reach up and pick them right off. That wish must be very strong; for it had internalized somehow in my sub conscience and and resurfaced as recurrent dreams. In those dreams, I reach out and pluck the Fish Egg fruit, with intense excitement and satisfaction, tinted with apprehension and guilt. That what Eve must have felt when she yanked off that Forbidden Fruit!

Eve and the Forbidden Fruit

The frustrating thing is, for one reason or another, those dreams always ended before I have the chance to taste the fruit of my labor! May be that's why this dream keeps returning. Maybe some day, I will be able to eat the fruit in my dream.

Dreams aside, I have occasionally ran into that tree while traveling to the tropics. I always feel so happy when that happens, like running into old friends on the street. I make the point of reaching/jumping up and grabbing a fruit or two. I make sure I eat them, dust and all, right on the spot, all the while, feeling a bit embarrassed and silly.


Thanks to the limitless information on the Net, I had identified this obscure species as 'Muntingia calabura'. I even obtained a small piece of it's wood for my collection. The wood is plain, but "sweet dreams are made of these".  Chances are, you have already know this tree under a different name [Calabura, Jamaican cherry, Panama berry, Singapore cherry, Sabah cherry, Bajelly tree, Strawberry tree; (Spanish) bolaina, yamanaza, cacaniqua, capulín blanco, nigua, niguito, memizo or memiso; (Indonesia) kersen, talok; (Vietnamese) (cây) Trứng cá; and (Filipino) aratilis, and sarisa]. If you ever come across one, try a fruit for me, will ya.

Slim Box from Trung Ca and Mun Ebony cap

10 Oct '14

Show Time!

Posted by Lanchi Vo

After some nudging by family, friends and customers, I decided to join the art show circuit this year.  I am so glad I did!

For those who don't know how curated art festivals work, I will elaborate.  First, I have to  search on the internet  for shows and decide which one to apply for.  I need to include a non-refundable application fee ($25 to $100), some sort of statement/bio, photos of my works.  Many shows also require a photo of my actual booth setup  (a Catch-22 for 1st-timer like me)

 

and/or photos of me working in my own workshop.  The general requirement is "you have to make the art yourself", not just design it on a piece of paper or computer screen, but also have your fingers/toes dapple in the making of the product.  

This requirement safeguards the show against import/buy and re-sell merchandise, but at the same time it creates the false impression that all "art" has to be created by the artist's hands him/herself.  I can name many famous artists, with works selling for mucho, mucho bucks, and a whole army of "assistants" to produce "their works" for them.  I guess, when you already established your name as a well known artist/artisan, all you need to do is to sign a piece to make it "yours", since you do need to touch the work at least in one place in order to sign it.  But I digress.  Now, if the jury decided to accept you into the show, there is a booth fee (~$200 to $2000+ for a ~10'x10' space).  More often than not, you need to bring everything to convert that bare space into a mini show room for the weekend.  So off I went (online), shopping for shelter and display paraphernalia. 

I used to be a backpacker, so the light weight, multi-purpose mentality had a lot of influence in my gear selection.  I ended up with the lightest 9'x7' pop-up canopy, and the lightest folding tables.  My display stands and trays doubles as carrying cases.  Con: I have the only booth in any show with a mini-skirt style canopy that covers only a portion of the 10x10 space. 

 

Despite the added height my home made weight anchors provided, 10% of the population taller than 6'+ has to duck down pass the canopy skirt to enter (I always feel compelled to apologize when that happens!). Pro: my entire booth packs down to fit on a folding roller cart.  I can set up/take down everything by myself at a leisurely pace in less than 1 hour.  Better yet, I don't need to drive my car into the frantic mess at the beginning and the end of a show;  I just roll everything to and from my parked car.


During my first show, there was a constant flux of family, friends and relatives, coming out to show their support.  My brothers, sisters camped out at my booth, joined by their friends, they sat in a row on the opposite curbside, just "chilling".  I felt so grateful, and nervous.  At this rate, my show was already at a lost financially: if I were to add up the wages of those Bay Area professionals, the time they spent rallying around my booth already well exceeded the cost of my entire stock! So, I insisted that I do not need any help, setting up or taking down, and that I would be totally fine by myself.

As a one-woman show, I do need an easy set-up so the process does not kill me.  I have not been making a killing, either, but it was such fun!  Here at the booth, my customers can actually see the colors and patterns, feel the weight, touch the smooth surface, smell the aroma, try out the threads...I really enjoy meeting my customers and chit chat.  Many took the time to share with me things they made themselves, or art pieces that impressed them, their hobby and interest...  Some even came with present (many thanks: Isabel for the stylus, Maximilian for the aromatic powder, Phil for the drink!).  The greatest present is seeing them coming back again and again, offering the gift of friendship.  Fellow woodworkers and wood collectors offer the most interesting conversation, they spent the longest time at my booth, examine the different timbers I have, and compliment the workwomanship :).  On top of it all, the company of fellow artists and vendors truly make the experience enjoyable.  Super nice people! They are always ready to lend a hand, to share their art show knowledge, to offer words of encouragement, and automatically dish out deep discount, or even refuse payment all together, every time I want to buy their creations.  There is also a side-benefit: durability testing of my products.   So far, my inventory has been exposed to full sun, temperature fluctuation, repeated handling and miss-handling, occasional dropping, greasy and/or wet fingers, spilled drinks (soda from the kids, wine from distracted grow-up) so far, no casualty (knock on wood!), nothing a little bit of polishing can not fix. 
 
Yes, it's stressful and tiring sometimes. Yes, I do feel guilty not spending the weekend with my kids.  But overall, I am still honeymooning with art shows and think it all worth it.  Check back a few years later and see how we fare.  For now, I am coming back for more!